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Agni Baltsa (; also known as Agnes Baltsa; born 19 November 1944) is a leading Greeks mezzo-soprano singer.
Baltsa was born in Lefkada. She began playing piano at the age of seven, before moving to Athens in 1958 to concentrate on singing. She graduated from the Greek National Conservatoire in 1965 and then travelled to Munich to continue studying on a Maria Callas scholarship.
Baltsa made her first appearance in an opera in 1968 as Cherubino in The Marriage of Figaro at Frankfurt Opera, before going on to appear as Octavian in Der Rosenkavalier at the Vienna State Opera in 1970. Under the guidance of Herbert von Karajan, she became a regular at the prestigious Salzburg Festival. She became Kammersängerin of the Vienna State Opera in 1980.
Her best-known performance is that of Carmen by Georges Bizet, which she has sung a number of times with noted tenors such as José Carreras, Neil Shicoff, and others. She has also sung works by Mozart (notably Così fan tutte), Rossini ( Il Barbiere di Siviglia, La Cenerentola, Semiramide, L'italiana in Algeri), Pietro Mascagni ( Cavalleria Rusticana), Saint-Saëns ( Samson et Dalila), Giuseppe Verdi ( Aida, La forza del destino, Il trovatore, Don Carlos), Vincenzo Bellini ( I Capuleti e i Montecchi), Offenbach ( Les Contes d'Hoffmann) and Donizetti ( Il Campanello, Maria Stuarda).
She starred in the film Duett in 1992, playing an opera singer.
In 2017, she sang Klytemnestra in Richard Strauss's Elektra at the Greek National Opera's new premises at the Stavros Niarchos Foundation Cultural Center.
| + !Year of release !Album details !Contributing artists !Label | |||
| 1976 | Mozart: Ascanio in Alba | Lilian Sukis, Edith Mathis, Peter Schreier, Arleen Auger, Salzburger Kammerchor, Mozarteum-Orchester Salzburg, Leopold Hager | DG |
| 1977 | Mozart: Mitridate | Arleen Augér, Ileana Cotrubaș, Edita Gruberová, Christine Weidinger, Werner Hollweg, David Kübler, Mozarteum-Orchester Salzburg, Leopold Hager | DG |
| 1978 | Richard Strauss: Salome | Hildegard Behrens, Karl-Walter Böhm, José van Dam, Wiesław Ochman, Heljä Angervo, Wiener Philharmoniker, Herbert von Karajan | EMI |
| 1979 | Verdi: Don Carlos | Nicolai Ghiaurov, José Carreras, Piero Cappuccilli, Ruggero Raimondi, José van Dam, Mirella Freni, Edita Gruberová, Barbara Hendricks, Chor der Deutsche Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | EMI |
| 1980 | Verdi: Aida | Mirella Freni, José Carreras, Piero Cappuccilli, Ruggero Raimondi, José van Dam, Katia Ricciarelli, Thomas Moser, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | EMI |
| 1981 | Massenet: Thérèse | Francisco Araiza, George Fortune, Giancarlo Luccardi, Gino Sinimberghi, RAI, Gerd Albrecht | Atlantis |
| 1981 | Ponchielli: La Gioconda | Montserrat Caballé, Alfreda Hodgson, Luciano Pavarotti, Nicolai Ghiaurov, Sherrill Milnes, London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | Decca Records |
| 1982 | Gluck: Orfeo ed Euridice | Margaret Marshall, Edita Gruberová, Ambrosian Opera Chorus, Philharmonia Orchestra, Riccardo Muti | EMI |
| 1982 | Donizetti: Il campanello | Enzo Dara, Carlo Gaifa, Biancamaria Casoni, Angelo Romero, Wiener Staatsopernchor, Wiener Symphoniker, Gary Bertini | CBS |
| 1983 | Bizet: Carmen | José Carreras, Katia Ricciarelli, José van Dam, Chœurs de l'Opéra de Paris, Berliner Philharmoniker, Herbert von Karajan | Deutsche Grammophon |
| 1983 | Mozart: Così fan tutte | Margaret Marshall, Francisco Araiza, James Morris, Kathleen Battle, José van Dam, Wiener Philharmoniker, Wiener Staatsopernchor, Riccardo Muti | EMI (live recording) |
| 1983 | Rossini: The Barber of Seville | Thomas Allen, Francisco Araiza, Domenico Trimarchi, Robert Lloyd, Sally Burgess, Matthew Best, John Noble, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | Philips Records |
| 1984 | Strauss: Der Rosenkavalier | Anna Tomowa-Sintow, Kurt Moll, Gottfried Hornik, Janet Perry, Wilma Lipp, Heinz Zednik, Kurt Equiluz, Vinson Cole, Wiener Staatsopernchor, Wiener Philharmoniker, Herbert von Karajan | Deutsche Grammophon |
| 1985 | Vincenzo Bellini: I Capuleti e i Montecchi | Edita Gruberová, Gwynne Howell, Dano Raffanti, John Tomlinson, Chorus and Orchestra of the Royal Opera House, Covent Garden, Riccardo Muti | EMI (live recording) |
| 1986 | Mozart: Le nozze di Figaro | Ruggero Raimondi, Lucia Popp, Barbara Hendricks, José van Dam, Felicity Palmer, Aldo Baldin, Robert Lloyd, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | Philips Classics |
| 1986 | Mozart: Don Giovanni | Samuel Ramey, Paata Burchuladze, Anna Tomowa-Sintow, Gösta Winbergh, Ferruccio Furlanetto, Alexander Malta, Kathleen Battle, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | Deutsche Grammophon |
| 1986 | Strauss: Ariadne auf Naxos | Anna Tomowa-Sintow, Kathleen Battle, Gary Lakes, Hermann Prey, Otto Schenk, Heinz Zednik, Josef Protschka, Kurt Rydl, Barbara Bonney, Dawn Upshaw, Wiener Philharmoniker, James Levine | Deutsche Grammophon |
| 1986 | Strauss II: Die Fledermaus | Lucia Popp, Eva Lind, Plácido Domingo, Peter Seiffert, Wolfgang Brendel, Kurt Rydl, Heinz Zednik, Helmuth Lohner, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Plácido Domingo | EMI |
| 1987 | Verdi: La forza del destino | Rosalind Plowright, José Carreras, Renato Bruson, Paata Burchuladze, Juan Pons, John Tomlinson, Jean Rigby, Richard Van Allan, Petteri Salomaa, Ambrosian Opera Chorus, Philharmonia Orchestra, Giuseppe Sinopoli | Deutsche Grammophon |
| 1988 | Mozart: Idomeneo | Luciano Pavarotti, Lucia Popp, Edita Gruberová, Leo Nucci, Wiener Staatsopernchor, Wiener Philharmoniker, Sir John Pritchard | Decca |
| 1988 | Rossini: La Cenerentola | Francisco Araiza, Simone Alaimo, Ruggero Raimondi, Carol Malone, Felicity Palmer, John del Carlo, Ambrosian Opera Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner | Philips Classics |
| 1989 | Richard Wagner: Tannhäuser | Matti Salminen, Plácido Domingo, Andreas Schmidt, William Pell, Kurt Rydl, Clemens Bieber, Cheryl Studer, Barbara Bonney, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | Deutsche Grammophon |
| 1989 | Rossini: L'italiana in Algeri | Ruggero Raimondi, Alessandro Corbelli, Frank Lopardo, Enzo Dara, Wiener Staatsopernchor, Wiener Philharmoniker, Claudio Abbado | Deutsche Grammophon |
| 1990 | Pietro Mascagni: Cavalleria rusticana | Plácido Domingo, Juan Pons, Susanne Mentzer, Chorus of the Royal Opera House, Covent Garden, Philharmonia Orchestra, Giuseppe Sinopoli | Deutsche Grammophon |
| 1990 | Saint-Saëns: Samson et Dalila | José Carreras, Jonathan Summers, Simon Estes, Paata Burchuladze, Chor und Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | Philips Classics |
| 1990 | Donizetti: Maria Stuarda | Edita Gruberová, Iris Vermillion, Francisco Araiza, Simone Alaimo, Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Giuseppe Patanè | Philips Classics |
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